But a lot of TADC fans in my experience are honest to God millennials if not older, and the story is notably inspired by “I Have No Mouth, and I Must Scream”, so maybe if I can just get over myself for a moment I’ll be able to appreciate it.
Honestly I’m surprised people younger than me (mid 30s) like it. The animation constantly references old loony toons (Tex Avery) cartoons (which had a revival in the 90s). The second episode is entirely a Mad Max Fury Road parody (obviously the millenial’s favorite Mad Max movie). The overall plot explores cartesian skepticism, much like the Matrix. And of course the cgi reminds me of the cgi I saw as a kid (albeit with more pixels)
This was my impression skimming through some of the episodes and watching a bunch of video essays. It’s very millennial-coded. Apparently, a lot of people in the production had their start in Newgrounds which is probably where the millennial-codedness is coming from.
I haven’t watched the series in its entirety though. I don’t know if the target audience is millennials with a gen alpha/zoomer fanbase that organically tagged along or if the target audience is gen alpha/zoomers with the millennialness being more about the generation the artists came from.
It’s very much the former, though Gooseworx herself is sorta in the fuzzy ‘Zenninial’ zone between the youngest millennials and oldest Gen Z.
Zoomers were probably part of the intended audience, but from what I’ve gathered the massive popularity among Gen Alpha was a complete accident that kinda blindsided everyone working on the show. On a personal level Gooseworx actually seems to kinda fucking hate that things played out that way, actually, though I’m sure all the money she’s gotten out of that happenstance is a cushy silver lining.
From what I’ve seen it’s a pretty decent character driven show - but it’s also very much “baby’s first character driven story”. A lot of scenes involve the characters spelling out their feelings in no uncertain terms which, if your media taste is still at that level, reads as really deep and interesting, compared to something that’s more subtle about it which might just read as uninteresting to someone who isn’t following what’s happening.
truly this is the most challenging of online media.
I edited my comment to be less mean but I’ve decided to stop. You are in your 30s, you should be consuming more challenging media than TADC. That shit about cartesian dualism or whatever is fucking cope about a plotline that’s one step removed from Sword Art Online. You are what people are talking about when they complain about emotionally stunted adult children.
Personally, I would dismiss anyone complaining about “emotionally stunted adult children” out of hand as a form of reactionary nonsense. “Arrested development”, by which I mean people being stuck in life situations seemingly broadly unchanged since high school, and left unable to attain any of the typical markers of adulthood, is an issue that impacts countless people; but it is a systemic issue of our mode of production literally pricing people out of adulthood. This issue won’t get solved by yelling at strangers over the Internet for watching cartoons — doing so is counterproductive in fact! The cartoons, as a matter of fact, are a complete “goddam” non-issue, unless you’re already fully programmed into some depressing idea of “adulthood” meaning that one must become a drone of capital that decries any form of whimsy or creativity, because you need to appear Sophisticated™ and Mature™ at all times. Are we really going to return to the brony struggle session of 2023?
There’s a difference between “everything must be serious at all times” and “people need to nurture the ability to be serious”. My contention is that a specific internet show has really obvious, on the nose writing, and that if that’s still your benchmark for good writing by the time you hit your thirties then you have failed as a critical consumer of media.
I have taken a few hours to do some fun things and hopefully calm myself down a bit, lest I get unnecessarily fired up about a cartoon I haven’t even seen more than a few minutes of and didn’t particularly like from that limited experience. What I’ll say is that there is a valid point that you’re trying to make, which is that people shouldn’t be reading only YA until they’re 35. I would agree that people need to challenge themselves and “nurture the ability to be serious.” But your actually valid point here is just getting completely muddied by this whole condescending superiority complex you have, the brainworms around age making you unnecessarily hostile, and also that you assume what other people mean instead of letting them explain themselves. I did actually click like on your first comment: I thought you were being very unnecessarily condescending, and the person you were replying to was in their right to tell you to fuck off for that, but if you’d just left your comment at you finding the writing in TADC to be too on the nose with the characters always spelling out their feelings, then that would’ve been a perfectly valid critique of the work. I mean, I’ve heard people say that Moby Dick is on the nose with its symbolism, and it is! All the symbolism in that book is spelled out for you, yet it’s still considered a classic and I’ve enjoyed it. I also find House, MD to have very on the nose writing with the characters’ emotions being constantly spelled out for you, but that doesn’t mean I don’t like House, it just means that that aspect of it does irritate me a bit. And I thought at first that when you said “baby’s first”, you were referring to the writers, not the viewers — because the writing in TADC is going to suffer a bit from the fact that it’s an independent production, right? My understanding is that projects like TADC are made at least partially to build portfolios for the people who work on them, so the most masterful episodic writing won’t be found in independent animation of any kind, writers in independent animation are still finding their footing and honing their skills. But no, you were referring to the viewers as babies!
All that Doubtingtammy said was “the overall plot explores cartesian skepticism/dualism, much like the Matrix (and I Have No Mouth…)” — which is a very different claim from saying that TADC is a “benchmark for good writing”: that claim is entirely your own invention pulled from thin air. Doubtingtammy didn’t even assert that they thought that TADC explored those themes well or even intentionally, just that they thought that the themes were there, and likely inspired by those previous works, and a reason why they found it surprising that young people liked the show. We can maybe infer that Doubtingtammy thought that those themes were explored “well” in TADC, but “well” in what sense? “Well” for a work of contemporary independent animation, or “well” for any work of fiction in any genre or medium, ever? Doubtingtammy didn’t specify, but I would’ve assumed the former, and I guess you must’ve assumed the latter and just run with your interpretation. The least you could’ve done is asked why Doubtingtammy had that reading of the work instead of jumping right to calling them an emotionally stunted adult baby. Isn’t critical consumption of media all about backing up your analysis using the text?!
In conclusion, I want to say that there doesn’t need to be a dichotomy between enjoying “mature” and “immature” things. I’m assuming that Doubtingtammy has read a lot more books and seen a lot more shows and movies than just the ones mentioned in their first comment, and many of those unmentioned works probably are things you’d consider much more well-written than TADC. People should learn to read more than just YA, but that doesn’t mean losing the ability to enjoy YA! YA doesn’t have to become boring just because there are other things you can read, you just need to be able to appreciate YA for what it is. You know? Like, I like Ante (1975) for what it is — a groundbreaking representation of Sámi issues in the popular culture of Norway — but that doesn’t mean I think a 70s live action kids’ show is the best thing since sliced bread, it really isn’t.
It’s just a good thing that some people are able to like things that other people can’t.
There’s a difference between “everything must be serious at all times” and “people need to nurture the ability to be serious”.
I said that I like a show, and then provided some context for why other people around my age find it appealing. Then you barged in to tell me I’m immature because you don’t find the character development or writing (aspects I didn’t even mention) is up to your Mature Adult standards.
My contention is that a specific internet show has really obvious, on the nose writing,
that’s not even something I’d disagree with. It’s a high-concept cartoon, not a novel.
if that’s still your benchmark for good writing
I didn’t say that I hold the show up as a benchmark for good writing. You are hallucinating more than chatgpt
then you have failed as a critical consumer of media.
The person you’re replying to said they were in their mid 30s in the comment you replied to, so perhaps he hwa beareþ þe Aqua Teen Hunger Force profile Picture sholde not be þrowynge Stanes in his owne glass Hus when it comes to media literacy. I see you walked back your “adult baby” comment with that edit, too.
Honestly I’m surprised people younger than me (mid 30s) like it. The animation constantly references old loony toons (Tex Avery) cartoons (which had a revival in the 90s). The second episode is entirely a Mad Max Fury Road parody (obviously the millenial’s favorite Mad Max movie). The overall plot explores cartesian skepticism, much like the Matrix. And of course the cgi reminds me of the cgi I saw as a kid (albeit with more pixels)
This was my impression skimming through some of the episodes and watching a bunch of video essays. It’s very millennial-coded. Apparently, a lot of people in the production had their start in Newgrounds which is probably where the millennial-codedness is coming from.
I haven’t watched the series in its entirety though. I don’t know if the target audience is millennials with a gen alpha/zoomer fanbase that organically tagged along or if the target audience is gen alpha/zoomers with the millennialness being more about the generation the artists came from.
It’s very much the former, though Gooseworx herself is sorta in the fuzzy ‘Zenninial’ zone between the youngest millennials and oldest Gen Z.
Zoomers were probably part of the intended audience, but from what I’ve gathered the massive popularity among Gen Alpha was a complete accident that kinda blindsided everyone working on the show. On a personal level Gooseworx actually seems to kinda fucking hate that things played out that way, actually, though I’m sure all the money she’s gotten out of that happenstance is a cushy silver lining.
From what I’ve seen it’s a pretty decent character driven show - but it’s also very much “baby’s first character driven story”. A lot of scenes involve the characters spelling out their feelings in no uncertain terms which, if your media taste is still at that level, reads as really deep and interesting, compared to something that’s more subtle about it which might just read as uninteresting to someone who isn’t following what’s happening.
oh, fuck off
idk how old you are, but any millennial who thinks TADC is super deep and complex is an adult baby. Tell me I’m wrong.
My comment proved too challenging for you to read, apparently. Fuck all the way off, lib
truly this is the most challenging of online media.
I edited my comment to be less mean but I’ve decided to stop. You are in your 30s, you should be consuming more challenging media than TADC. That shit about cartesian dualism or whatever is fucking cope about a plotline that’s one step removed from Sword Art Online. You are what people are talking about when they complain about emotionally stunted adult children.
Personally, I would dismiss anyone complaining about “emotionally stunted adult children” out of hand as a form of reactionary nonsense. “Arrested development”, by which I mean people being stuck in life situations seemingly broadly unchanged since high school, and left unable to attain any of the typical markers of adulthood, is an issue that impacts countless people; but it is a systemic issue of our mode of production literally pricing people out of adulthood. This issue won’t get solved by yelling at strangers over the Internet for watching cartoons — doing so is counterproductive in fact! The cartoons, as a matter of fact, are a complete “goddam” non-issue, unless you’re already fully programmed into some depressing idea of “adulthood” meaning that one must become a drone of capital that decries any form of whimsy or creativity, because you need to appear Sophisticated™ and Mature™ at all times. Are we really going to return to the brony struggle session of 2023?
There’s a difference between “everything must be serious at all times” and “people need to nurture the ability to be serious”. My contention is that a specific internet show has really obvious, on the nose writing, and that if that’s still your benchmark for good writing by the time you hit your thirties then you have failed as a critical consumer of media.
I have taken a few hours to do some fun things and hopefully calm myself down a bit, lest I get unnecessarily fired up about a cartoon I haven’t even seen more than a few minutes of and didn’t particularly like from that limited experience. What I’ll say is that there is a valid point that you’re trying to make, which is that people shouldn’t be reading only YA until they’re 35. I would agree that people need to challenge themselves and “nurture the ability to be serious.” But your actually valid point here is just getting completely muddied by this whole condescending superiority complex you have, the brainworms around age making you unnecessarily hostile, and also that you assume what other people mean instead of letting them explain themselves. I did actually click like on your first comment: I thought you were being very unnecessarily condescending, and the person you were replying to was in their right to tell you to fuck off for that, but if you’d just left your comment at you finding the writing in TADC to be too on the nose with the characters always spelling out their feelings, then that would’ve been a perfectly valid critique of the work. I mean, I’ve heard people say that Moby Dick is on the nose with its symbolism, and it is! All the symbolism in that book is spelled out for you, yet it’s still considered a classic and I’ve enjoyed it. I also find House, MD to have very on the nose writing with the characters’ emotions being constantly spelled out for you, but that doesn’t mean I don’t like House, it just means that that aspect of it does irritate me a bit. And I thought at first that when you said “baby’s first”, you were referring to the writers, not the viewers — because the writing in TADC is going to suffer a bit from the fact that it’s an independent production, right? My understanding is that projects like TADC are made at least partially to build portfolios for the people who work on them, so the most masterful episodic writing won’t be found in independent animation of any kind, writers in independent animation are still finding their footing and honing their skills. But no, you were referring to the viewers as babies!
All that Doubtingtammy said was “the overall plot explores cartesian skepticism/dualism, much like the Matrix (and I Have No Mouth…)” — which is a very different claim from saying that TADC is a “benchmark for good writing”: that claim is entirely your own invention pulled from thin air. Doubtingtammy didn’t even assert that they thought that TADC explored those themes well or even intentionally, just that they thought that the themes were there, and likely inspired by those previous works, and a reason why they found it surprising that young people liked the show. We can maybe infer that Doubtingtammy thought that those themes were explored “well” in TADC, but “well” in what sense? “Well” for a work of contemporary independent animation, or “well” for any work of fiction in any genre or medium, ever? Doubtingtammy didn’t specify, but I would’ve assumed the former, and I guess you must’ve assumed the latter and just run with your interpretation. The least you could’ve done is asked why Doubtingtammy had that reading of the work instead of jumping right to calling them an emotionally stunted adult baby. Isn’t critical consumption of media all about backing up your analysis using the text?!
In conclusion, I want to say that there doesn’t need to be a dichotomy between enjoying “mature” and “immature” things. I’m assuming that Doubtingtammy has read a lot more books and seen a lot more shows and movies than just the ones mentioned in their first comment, and many of those unmentioned works probably are things you’d consider much more well-written than TADC. People should learn to read more than just YA, but that doesn’t mean losing the ability to enjoy YA! YA doesn’t have to become boring just because there are other things you can read, you just need to be able to appreciate YA for what it is. You know? Like, I like Ante (1975) for what it is — a groundbreaking representation of Sámi issues in the popular culture of Norway — but that doesn’t mean I think a 70s live action kids’ show is the best thing since sliced bread, it really isn’t.
It’s just a good thing that some people are able to like things that other people can’t.
I said that I like a show, and then provided some context for why other people around my age find it appealing. Then you barged in to tell me I’m immature because you don’t find the character development or writing (aspects I didn’t even mention) is up to your Mature Adult standards.
that’s not even something I’d disagree with. It’s a high-concept cartoon, not a novel.
I didn’t say that I hold the show up as a benchmark for good writing. You are hallucinating more than chatgpt
lmao. You take consooming very seriously
As I like to put it:
First you’re not too old for Pokemon.
Then you get too old for Pokemon.
Then you stop being too old for Pokemon.
Like Aqua Teen Hunger Force?
Okay: you’re wrong.
To elaborate: 30 years ago, people like you were saying that you can get too old for anime or video games.
It’s fine to enjoy things, but if you only ever read YA novels then you won’t be maturing as a reader.
The person you’re replying to said they were in their mid 30s in the comment you replied to, so perhaps he hwa beareþ þe Aqua Teen Hunger Force profile Picture sholde not be þrowynge Stanes in his owne glass Hus when it comes to media literacy. I see you walked back your “adult baby” comment with that edit, too.