Fight Club. Even the author preferred some of the changes made for the movie.
The reveal for example.
Been a while since I read the book, and the reveal was similar, but a lot better in the movie
The Stargate movie was good, but SG-1 far surpassed it.
Indeed!
Agreed
Ti’u
Arcane, the animated Netflix show that was based on League of Legends.
TBF that was a low bar to clear. They just had to make sure the show was better than a bunch of screaming children.
However it is truly fantastic
That’s nonsense. League of Legends has plenty of screaming adults too.
Johnny Cash’s version of Hurt
Trent Reznor even said it’s no longer his (Trent’s) song
I don’t know what Reznor and Cash’s relationship was, but that has to feel so surreal for Reznor. You never see older artists cover newer ones in general, let alone such a legendary country artist cover a young alternative rock artist. If I were Reznor, that would be the thing that lets me die happy.
I’ve heard both versions probably a hundred times each and only hear Johnny Cash’s voice anymore.
Yeah he really brings feeling to this song
I had never heard Trent Reznor’s original or Johnny Cash’s cover so thank you for mentioning it. What an incredible music video!
Starship Troopers - the book was extremely meh - the movie is excellent (and very relevant to modern day).
Clue - an excellent movie based off a fucking boardgame… ditto for Barbie now as well!
Mage the Acension is a TTRPG love letter to Ars Magicka and it blows it out of the water.
Paul Verhoeven really upped the ante on that one.
How would Hannah Arendt be relevant here? I read a short blurb about her philosophy especially in regards to authority but I haven’t seen starship troopers
A hexbear or lemmygrad user could better explain this one, but its a deep-cut satirical comment on how nations that market themselves as “free” (but aren’t), promote philosophies that group and demonize all their enemies into a single camp, and prop up writers like Arendt, who was one of the main ideological peddlers of western moral supremacy during the cold war.
Losurdo has a lot of good articles on this and Arendt specificaly, and also Gabriel Rockhill has some good articles about this too.
Ahhh, thank you. I’ll give that link a read
No probs! I also recorded that one recently as an audiobook here. torrent link is also there.
Im subbed to your youtube lol, thanks for the think though
Here is an alternative Piped link(s):
Piped is a privacy-respecting open-source alternative frontend to YouTube.
I’m open-source; check me out at GitHub.
Helldivers 2 is heavily inspired by the movie… And I would say it’s better than it.
PS: Mage - The Ascension ♥️
deleted by creator
The Mist
That ending was one of the most brilliant gut-punches in film history. Stephen King himself said he wished he had written it.
Came here looking for this.
The Muppet Christmas Carol
I wasn’t sure what the right answer to this question would be until I saw it.
Controversial, but Lord of the Rings. Tolkien wrote great stories, but his writing style always seemed kind of lackluster.
I encourage you not to view him as an author but as an imaginative creator confined by language.
Also a racist
I can’t fault him for any of his depth and character building and poetry and storytelling and descriptive environments it was all very thorough and for the right person wonderful. I think the movies did a giant justice to making his work accessible. There are a lot of people out there that can’t manage to make their way through his poetry sections. And you can’t not read the poetry sections because there’s definitely content in there you need.
I came to this thread expecting to see this, and even with that expectation it makes me sad to see; to me the books are unarguably superior, to a large degree because Tolkien is such an excellent writer. I’d encourage anyone who’s bounced off the books a time or two to go back to them and try reading them aloud, even quietly to yourself: even though it’s prose, the text has meter and flow almost as strong as poetry. It’s undeniably a slow read, but it’s just such a beautiful one that the films, fun as they are, don’t hold up.
Plus, Jackson’s Two Towers is garbage.
This was mine, but I’m assuming you weren’t referring to the BBC radio play, which is the best version of LotR ever made. The films had major distortions on the themes of the story and completely unbelievable characterization that destroyed all suspension of disbelief.
Sure, the CG was nice eye candy… but Gandalf getting into a shouting match with Elrond? Really? We’re okay with that?
Plus, skipping the correct ending of Frodo and Sam coming back to the Shire in industrialized dystopia missed key parts of their character growth and Tolkien’s anti-industrial themes.
And the massive over-focus on a love story that was barely relevant in the story? And a half hour epilogue of useless wide shots showing how amazing the wedding was and how everyone is doing so great now that they won? What a waste of time. They skipped one of the best parts of the book for that shit.
I could go on if I had watched the films more than twice and could recall all the other huge problems.
The books don’t hold up, either. Ain’t nobody got time to read 3-page info dumps of dense descriptive writing about plot-irrelevant details, or dense blocks of ancient history that demolishes any semblance of pacing left over.
He founded a lot of tropes of fantasy, so I know why he included all those descriptive details, but it just doesn’t hold up. Elf, big tree house, got it. You’ve got me for two paragraphs to fill in the descriptive details, but then let’s move on with the plot, tyvm.
If you’re a fan of LotR, give the 13-hour BBC radio play a listen. And of you’ve watched/listened to/read all three and disagree with me, I’d love to hear why (out of interest). Full disclosure: you probably won’t convince me, but I’m still waiting to hear someone who knows the source material justifying why the movies are so adored.
Pretty much everyone who’s discussed it agrees The Godfather (film) blows the Puzo novel it adapted away.
Runner up is Adaptation, an adaptation of the novel The Orchid Thief that expands its scope significantly.
Adaptation was one of those movies I watched and then caught myself thinking about it through the year…a very well done movie.
The movies made me want to read the book. I still haven’t yet though.
I still get chills when I hear “you’re nothing to me now, Fredo.”
The Godfather book has a lot of great character nuances but it also has a subplot of Sonny’s enormous dong being the only thing that could satisfy his wife’s bridesmaid’s enormous vagina.
heres a controversial opinion: The American Office vs the UK Office.
While I respect the original, Gervais’ external antics and the much meaner, darker humor just don’t create as good a comedy vehicle that enables the viewer to laugh and have fun and enjoy themselves watching the show
On that note, wasn’t Whose Line is it Anyway originally British? Because Drew Carey’s was peak!
Huh, so it is! Growing up in the UK, the US version seemed to be on more, and I’d assumed that that was the original.
That’s funny. Growing up in the US, Comedy Central would run marathons of the original Whose Line so I ended up watching the UK version more than the US one.
Really? Wow, UK usually does so much better with those sorts of panel comedy shows.
There’s a certain chemistry between Ryan, Colin, and Drew that just cannot be replicated
The American office is watered down drivel.
Agree to disagree - to me the Uk office was a Gervais vehicle with the Tim/Dawn romance Christmas special episode as a nice bonus and Gareth as an occasional funny victim of his own hubris. Keith and Finchy having a couple of good scenes. Neil, Donna, Rachel, Jennifer, Jamie, Ralph… all very forgettable.
In the US office, as mentioned, I think its a well rounded ensemble comedy where you can feel it’s a collab of a writers room and a complicit cast. Everyone has their favorite moments from pretty much any character…
In the early 2000s I probably would’ve liked the UK office more because I was an edgy teen. 25 years later and after an 8 year run, 200 episodes vs 14 - I feel like I’d much rather turn on the US one if I wanted a laugh.
I guess it depends if you want light entertainment or groundbreaking comedy.
2001: A Space Odyssey (1968), at the time of its release, was based on a short story called The Sentinel by Arthur C Clarke. In that story, the roots of the Tycho Monolith plot segment of 2001 of is sketched out, and then expanded as both a screenplay and a full-length novel.
Oh, and then I guess it inspired Bowie’s single, Major Thom
The sequel to Trump screwing Stormy Daniels…Stormy Daniels screwing Trump.
The Princess Bride was a pretty good book but an amazing movie.
One thing that always stuck out to me about the book is the introduction of certain editions. The author writes about himself researching the history of the country the story takes place in and describes it as real, saying he took his son to a museum with Inigo’s sword and everything.
I was Googling furiously when I read it because I was so confused. I was astounded that the place (and people) was “real”. It took a bit of research to find that the author just does this bit and hasn’t let it go since he wrote the book
I’m still so charmed that he tricked me. It made reading the book that much sillier, for me
I had a teacher that worked for the publisher and talked about how they’d have a series of responses for people who wrote in for the part of the book where the author says he wrote his own fanfiction scene and to write in if you wanted it.
Like maybe the first time you write in they’d respond that they couldn’t provide it because they were fighting the Morgenstern estate over IP release to provide the material, etc.
So people never would get the pages, but could have gotten a number of different replies furthering the illusion.
Blade runner. Much better than “Do androids dream of electric sheep?” but it is only loosely based off it.
PS: when reading a book after watching a film, it usually feels like the book is much better, fills in details, separates scenes which a film had mixed together or altogether done away with. E.g. The Shining, LotR, Dune…but for Androids I just felt “what, that’s it?”
The truth of the matter is that a lot of PKD and Heinlien era sci-fi was very focused on exploring a single theme - that works well literary but isn’t rich enough for TV/Movie - so those works generally got richer and usually were by transitioned by genuine fans that tried to keep the theme and core message.
I feel this is mostly the case with short stories (and a lot of those works were short stories). Where there isn’t enough material for a full movie, the writers are free to add more to the story without messing much with the original. DADOES did have enough material but the movie decided to go a different direction while keeping the main theme. I wouldn’t say one is better than the other in this case as they’re pretty different.
They’re almost too different to compare imo, but both the book and the movie are top-tier.
I thought the Three-Body Problem on Netflix was better than the book. I haven’t seen the Chinese TV series adaptation of the book, but I’ve heard it was really good too.
Good to know. Wasn’t sure 3BP show would be good because I think the book was so slow. Probably lost in translation.
Yeah, I heard it was the next big scifi trilogy, but when I read it it was like “Really? This?”
