• Crunkle_Foreskin@kbin.social
      link
      fedilink
      arrow-up
      2
      arrow-down
      1
      ·
      1 year ago

      I don’t doubt some of the execs made dreadful decisions (look at history: Alien 3, Suicide Squad are notable examples).

      But writers should know the basics about dialogue.

      Let AI generate the monthly hero releases. Let talented writers make thoughtful, provocative and beautiful film. It’ll only make those experiences more special.

      • GunnarRunnar@kbin.social
        link
        fedilink
        arrow-up
        7
        ·
        1 year ago

        I’m pretty fucking sure they all know the basics of dialogue, no need to insult them. They are just working with impossible constraints when it comes to rewrites and such. Those creative decisions that are based on the whims of executives and audience testing. There’s no love in the writing because there’s no time to fall in love. These changes need to be happen on the top first.

        And if you think ai writing will fix that… Whoo boy give it a couple of years and that snake will eat itself, especially if there’s legal recognition that you can’t use material without the creator’s permission (which should happen).

        • Crunkle_Foreskin@kbin.social
          link
          fedilink
          arrow-up
          2
          arrow-down
          3
          ·
          edit-2
          1 year ago

          If there’s any rich screenwriters on here who got sad because I criticised paying $20 for a ticket to watch their sub-par work, I do apologise.

          Film critics in the 70s and 80s were pretty brutal and can roundly deconstruct incompetency better than I ever could.

          • GunnarRunnar@kbin.social
            link
            fedilink
            arrow-up
            3
            ·
            1 year ago

            I’m just saying you’re targeting the wrong people with your criticism. I’m not saying the writing isn’t shit, just that it’s pretty understandable why it is that way and complaining like it’s the writers’ fault and not the studios’ is playing into the studios’ hands.

          • aricene@lemmy.world
            link
            fedilink
            arrow-up
            3
            arrow-down
            1
            ·
            1 year ago

            Sorry you had a subpar movie experience. I guess the only recourse is to hollow out a middle class profession and concentrate more power in the hands of billionaires.

            I would suggest that the reason you were enticed into going to see the subpar movie with all its marketing, merchandising, and structural support may have more to do with corporate executives than a hard-as-nails creative profession with a $45,000 median salary.

            • dudebro@lemmy.world
              link
              fedilink
              arrow-up
              1
              arrow-down
              2
              ·
              1 year ago

              There is no middle class and there never was.

              There is ruling class and working class.