Lemmy needs more content that isn’t about US politics right now so I’m making a random post.
What’s the most obscure cyberpunk movie you’ve seen? Name a cyberpunk movie you don’t think anyone else has heard of.
I’m not saying you have to think it’s a good movie (or that you even like it), I just want to discuss obscure, unknown cyberpunk movies. Come on, let’s talk about something other than politics here.
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I am surprised no one mentioned Decoder (1984). Starring W.S.Burroughs, Gen P. Orridge and Christiane F. of bahnhof zoo. One of there best underground movies ever made.
…not super-obscure in its day but very much a product of the mid-eighties, i doubt many folks are familiar with it fourty years later: michael crichton, tom selleck, gene simmons, peak kirstie alley…
(set in the near future-shock of 1991!)
I will watch every movie in this thread. Election promise.
(I feel like there’s a conversation waiting to happen about what really counts as cyberpunk. Codifying genres is hard, robocop never walks around the internet, blade runner has space travel, is space truckers cyberpunk? I think there does have to be a sort of 80s lo fi vibe of some sort, unless it’s a serious modernisation like Black Mirror.
I feel like you could talk about speculative near future technology being used to critique modern society, but theres also something to be said for trench coats and two pistols. Hypothetically Equilibrium would fill both even though its not particularly cyber. Underworld also checks some of these boxes, despite not being cyberpunk to most people, probably because it pulled a lot of visual style from The Matrix, which is a very trad cyberpunk that transcended (as it were) the genre watching audience.
Is Demolition Man cyberpunk? It has spec tech with both low and high society, but very little walking around the internet and the tech only marginally interacts with the story except as a device to get a 1993 cop into the grim dark future of 2032. It’s not very goth either)
I’ve heard someone describe it a long time ago as “high tech, low life”, where technology has permeated society to the point where even poor people have access to it, but at the same time most people do not live a good life and the tech is not helping. I haven’t been able to think of something that fits that description and doesn’t feel cyberpunk to me.
So, this definition encompasses a lot of sci-fi, I think. For instance, the triviality of tech in Star Wars and the low life is definitely present, but it would be a struggle to vibe Star Wars with cyberpunk. You can make an argument that the stories in Star Wars is not about the tech, but as you do that you have away from the original definition.
I think this applies with a lot of “sci-fantasy” settings. Basic workers in 40k can acquire (or involuntarily be gifted) cybernetic implants and this does not change their social position. 40k is not cyberpunk. The stories largely do not focus on a critique of society through the expression of tech that would solve our particular problems. 40k mostly focuses on what would be cool for sword guy to do, and is largely viewed through the auspices of the top of society (players and great heroes).
An experience of a different setting that is definitely cyberpunk despite also being “sci-fantasy” is Shadowrun. People run around hacking mega-corporations computers by fighting their cyber-dragon firewall. But that also doesn’t fit with my above experimental positions of cyberpunk, its much more an aesthetic choice for a heist game. Nothing wrong with that, but I think it hints towards cyberpunk being at least partly an aesthetic definition of cyberpunk.
That’s not the say the thought is without merit. The focus of cyberpunk could be reflected in our own experience of, say, “having a device in our pocket that can trivially access all of human knowledge but I cannot use this to change my position in society”. This is heavily reflected in Black Mirror. The plot that our protagonists have what would be a life changing device if you were the only one to have it, but are just coasting by (if that) is very cyberpunk and very Black Mirror.
I think one could play around with this concept quite a lot with TV shows, which tend to have a wider variety of focus, vibe, etc with the same initial concept. One could imagine a Doctor Who episode that fills a number of cyberpunk definitions, but Doctor Who does not vibe with cyberpunk generally.
Aeon Flux was a weird one. Had some cool stuff going on, but the execution was shoddy
Aeon Flux was a weird one.
Are we talking about the cartoon or the live-action movie? Either way, yes.
Had some cool stuff going on, but the execution was shoddy
Ah, the live-action movie then. Yeah, very shoddy execution.
Oooo listed! Moon was amazing!
Fun fact: Clint Mansell created the OST for both movies. Enjoy!
I wanted to like Mute but I really didn’t like Paul Rudd’s character in it. Overall, I think it had some good visuals but something about that movie just didn’t work for me.
Did you like the movie? What was your favorite part?
I did enjoy the visuals and was okay with the protagonist, but lots of the story and most other characters were not really working out for me. I can’t really put my finger on it why that is. But the soundtrack? Oh.My.God! Clint Mansell absolutely nailed it - like he always does! I’ve been following his career since his first soundtrack: Pi from 1998. Maybe I should mention here that I’m an ex musician myself.
My favourite Cyberpunk movie is Upgrade from 2018.
