That’d be great if it was true but there have been rumors that development largely reset when they left. Guess we’ll have to wait until they release credits to know for sure.

the devs given any reason to doubt them

I agree that it’s super early for much speculation, but Dan Houser and a few other key players left Rockstar after RDR2. He and Michael Unsworth (who I think also left the studio with Dan) were two-thirds of the GTA 5 and RDR2 writing team. Without their involvement, I fear a scenario where the core single-player narrative has less gravitas, around which much of the detail and realism of the gameplay and game world has previously resolved, and the company leans more into the success of its GTA Online style gameplay.

I’m sure they can still be wildly successful with that formula, but it will be a huge disappointment for me personally.

Hey go easy on yourself, we’re all phallic.

Haha, sorry to confuse things further but this is not true .

Tldr, “till” is its own word and is actually older than the word until, and they’ve been used synonymously for centuries. 'Til with an apostrophe is acceptable but has been less common, and til without an apostrophe is even less common.

Pride can actually be defined as pleasure derived from an achievement. There are meadows in your community right now with a sizable population of randy toads that would otherwise have been ripped out and replaced by cheap, cookie cutter (I assume) housing, if not specifically because of your interest and contribution.

Intent needn’t be part of the equation. Pleasure + achievement = pride. I’m proud of you for saving those meadows, for goodness sake take some for yourself!

Calibri is not actually the default font anymore! In M365, at least. Granted, it will be a long time before it’s not recognized as such.

My company uses Roboto. I like it a lot, but I think it’s gotten pretty popular. Do you know about fonts.google.com? Huge library that you can apply filters to, makes it really easy to browse.

Courtesy of my expansive Google skills (I searched “comic child sick exorcist” lol).

litterboxcomics.com

I have a soft spot for Jee-woon Kim, a Korean filmmaker probably best know for The Good, the Bad, and the Weird or I Saw the Devil. He’s gotten some big recognition, and even made an American debut with a regrettably forgettable post-gubernatorial Arnold Schwarzenegger movie (The Last Stand).

But in the 2000s, he made a string of really phenomenal genre flicks (the two mentioned above, as well as A Bittersweet Life and A Tale of Two Sisters) that got me into Korean cinema even moreso than Park Chan-wook and Bong Joon Ho, who I was also paying close attention to at the start.

His career has been less consistent though. The Arnold movie and his adaptation of Illang we’re both misfires. He does get good performances from his actors, and he can elevate a good script to it’s maximum potential, but he doesn’t do the same for bad scripts. I think his greatest strength though is his visual flair, and that just doesn’t generate as much attention as his contemporaries.

You seem really passionate about consuming inedible objects, and I admire your forthrightness.

I am impressed by your resilience that you didn’t immediately swoon over his intelligence, diligence, and confidence, which is what I would strongly presume was his actual expectation.

That’s what captivated me about The Room, it’s an unfiltered view into the mind of an insecure, narcissistic man-child. It frequently and inadvertently borders on comedy, sure, but I mostly found it pretty uncomfortable.

Journalists communicate to laymen, and the most common name of the area you’re referring to is tarmac. Personally I think it would be worse practice to refer to it as the apron, which is apparently the correct word, because it would be confusing to the audience.

For Facewatch’s Gordon, the argument against using the technology is weak. “Normal customers aren’t going to be tracked and traced. The idea that they are is complete rubbish."

In other words: Yes we have the means, but the idea we would abuse profitable data already available to us is absurd.

At least this is working as intended:

Supermarkets gripe that data protection laws are an obstacle. Walker says that GDPR laws have prevented managers at different Iceland stores from sharing photos of shoplifters across WhatsApp groups

Nonetheless…

Mask up.

I’m in the U.S. and we got the cheap jump scare one I think.

Oh interesting. I’ve got a lot of affection for him as a filmmaker in large part because The Descent remains my favorite theater experience of all time, but the results of his particular serious-camp style are certainly…volatile. But if you’re gonna gamble on him, ya gotta let the dice roll. This is assuming his dissatisfaction comes from outside interference.

Not at all a fan of Brian Taylor’s directing style, and it seems like a terrible fit to me for what little I know of Hellboy. Then again I thought Neil Marshall was a perfect fit before 2019 came out, so…guess I’ll just withhold judgment.

No need to qualify that you “did nothing,” my friend. From what you described, you had the courage to stand up when drawing the short stick (because nothing made you follow through when you were “chosen”) and then you kept yourself and everyone else as safe as possible by not retaliating. Can you imagine how things might have escalated if you had?

You have my sincere respect for what you’ve described here.

Funniest:

“Once you’ve had one baby, that one needs a friend! Then that next one needs an enemy, which means you’ll need a fourth to be a peacemaker, unless the first one steps up to the task.”

Saddest:

“The more children we have in schools, the greater your chance someone else’s kid will get shot.”

Do you not count the Murena partnership? I’ve been considering a Fairphone since I saw this.

Someone bonked up the template used to create this graphic. Probably a floating placeholder text box they forgot to delete.