The epitome of what I’m trying to refer to is the Playdead games (Limbo and Inside). Dark Souls and BioShock both hit on this idea but not quite so directly. The game BADLAND is also a great example of this, too. The mobile game The Silent Age also did this exceptionally well. Never quite knowing what’s going on, and maybe some tension without release, but again not straight up horror. A feeling of uneasiness is what I’m looking for.

When playing through Inside, there’s never any moments where you’re scared, but you’re never sure what’s going on and there’s always a level of unease. What are all the mindless zombie-like people? Why is everyone hunting the player? What happened to this city? What’s the goal of the character the player controls? What exactly is going on here? That’s what I’m looking for. If you know of any other games which do this, I’d greatly appreciate hearing about them. It’s a very specific niche so I’m not sure how many games do this, but the games that I’ve seen do this tend to be some form of post-disaster or dystopia. I’ve seen some great artwork do this too. Zdzisław Beksiński had done some stuff like this. Some great dystopian novels also do this quite well.

  • Boolean@lemmy.world
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    1 year ago

    I’d recommend Control by Remedy. It’s got some SCP vibe and has liminal spaces, spooky supernatural shit and great looking environments and game play.

    • emeralddawn45@lemmy.fmhy.ml
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      1 year ago

      Control was so unbelievably good and creepy. Can’t recommend it enough. Really recaptured the love of gaming and exploring a new world that I had started to lose.

    • cod@lemmy.worldOPM
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      1 year ago

      I’ve received lots of suggestions for Control, I think I’ll be playing it soon

    • BeefSupreme@sh.itjust.works
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      1 year ago

      Absolutely Control. I’ve just gotten back to it after a too long hiatus. About half way through and loving every beat. The logs and docs are 100% worth reading.

    • cod@lemmy.worldOPM
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      1 year ago

      I’ve heard as such. I also love nautical themes in general (no surprise given my username), so I’ve been meaning to play it for quite a while. Thanks for reminding me of this game

    • SharkEatingBreakfast@sh.itjust.works
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      1 year ago

      Seconding Subnautica.

      It was one of the few games I’ve played where I felt sad finishing it.

      The sequel does not have the same vibe, though, so be aware of that. It’s an okay game, but it definitely misses the vibe the original.

  • Magpie@lemmy.world
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    1 year ago

    Outer Wilds. It’s better to play it without knowing much beforehand. All I’m gonna say is: it will make you feel very lonely and even vulnerable at times, although it’s not a horror game by any means. It’s a beautiful videogame with a mind-blowing story.

  • Zeppo@sh.itjust.works
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    1 year ago

    Half Life/Black Mesa. I replayed it recently and I had forgotten the level of unease that pervades most of it. While short of horror, there’s been an obvious disaster, people are panicking, and it’s unclear to the PC what is going on for most of the game.

  • all-knight-party@fedia.io
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    1 year ago

    I’d say Arkane’s Prey hits that for me. The feeling of isolation, not only on the station, but by virtue of being in space, and the story itself. The mechanics of the mimic enemies can create emergent jump scares, but I’d definitely say it’s not a horror game.

    I’d also say Death Stranding, at times. While the human NPCs are very wholesome, the atmosphere and experience of delivering the packages out through the timefallen wasteland and that isolation lends itself well to introspection and the BTs are pretty creepy and axiety-inducing until you’re used to them and can fight them.

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    1 year ago

    S.T.A.L.K.E.R.

    it’s about scavenging and fighting in a radioactive exclusion zone in Ukraine

    it has some monsters, that scare the shit out of me, and ‘anomalies’ that break the rules of physics

    it’s really good

    • azayrahmad@sh.itjust.works
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      1 year ago

      I think the S.T.A.L.K.E.R games are outright survival horror. The realism of the games, the historical event as background, makes it even more creepier.

    • charles@lemmy.ca
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      1 year ago

      I’ve been absolutely loving DREDGE. Picked it up in the summer sale without really knowing anything about it and I’ve been having so much fun with it.

      OP, I’d strongly recommend this game but don’t look anything up, it really adds to the suspense and eerieness.

  • kg333@sh.itjust.works
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    1 year ago

    Control does a good job of starting out uncomfortable and weird, and continuing to escalate as the story progresses. A great deal of unease since you don’t understand what’s going on with your character or the environment she finds herself in.

    • cod@lemmy.worldOPM
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      1 year ago

      That sounds perfect. Thanks for the recommendation. I own it so I really should play it

  • simple@lemmy.world
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    1 year ago
    • Bloodborne

    • Control (definitely what you’re looking for)

    • The Last of Us

    • Little Nightmares (quite similar to Inside, horror-inspired and creepy but barely any jump scares)

    • Inscryption

    • Dying Light (admittedly not very scary, but at night where you get chased by creatures can be very intense)

    • cod@lemmy.worldOPM
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      1 year ago

      I’ll be bitter about Bloodborne not being on PC until the day they release it on Steam. I’ll look more into the other ones though. I think I own Control already so I might play that one soon

  • Rozaŭtuno@lemmy.blahaj.zone
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    11 months ago

    Signal Simulator is a game about being completely alone in a base in the desert doing science stuff in search of aliens. It’s not really horror but there’s plenty of uneasy stuff in it.

    There’s also a newer game inspired by it called Voices of the Void which is more actively developed. Technically, it’s not horror but the developer likes to fuck with you in all kinds of ways.

  • DrQuint@lemmy.world
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    1 year ago

    I saw a game that fits this bill mentioned on two videos recently. It’s called BABBDI and you explore a eery city where everyone you meet can’t move other than to twist their heads to look at you. Nothing ever puts you in danger and that’s established right away. But everything looks… Off.